Review: The Living Wake (2007)

>> Sunday, August 29, 2010

USA/C-92m./Dir: Sol Tryon/Wr: Mike O’Connell & Peter Kline/Cast: Mike O’Connell (K. Roth Binew), Jesse Eisenberg (Mills Joaquin), Jim Gaffigan (Lampert Binew), Ann Dowd (Librarian), Eddie Pepitone (Reginald), Marla (Diane Kagan)

Take one part Wes Andersonian whimsy, a couple of parts British absurdism (in the mode of Sir Henry at Rawlinson End), add a dash of Withnailesque melancholy, shake vigorously, and the resulting cocktail might end up something like The Living Wake. This bizarre indie comedy stars Mike O’Connell as K. Roth Binew, a self-proclaimed artist and dedicated drunkard, who is dying of a yet-to-be-named disease that is extremely punctual. With the help of his best friend, manservant, and biographer, Mills Joaquin (Jesse Eisenberg), Binew uses his final day to visit friends, enemies, lovers, family, and the village liquorsmith, in hopes of finding the meaning of life that has thus far eluded him. During each visit, the individuals who have played a part in the short existence of the dying dipsomaniac also receive an invitation to attend Binew’s final bow--a wake to be held during the last minutes of his life.

It is difficult to maintain a comic premise over a ninety-plus minute running time, and absurdist comedy is even more difficult to sustain. So, as one would expect, there are problems with The Living Wake. The writing is uneven, some of the characters seem miscast, and the acting styles of some of the secondary actors clash with the material. Worst of all, what should be the high points of the film--two instances in which the main character bursts into song--are instead the movie’s nadir, because the lyrics of the songs are uninspired, lacking the polish and verbal wit that is present throughout the rest of the script. However, these are trifling quibbles, because The Living Wake is insanely entertaining.

What makes the movie work so wonderfully well, despite its deficiencies, is the brilliant lead performance by Mike O’Connell. There are comedians that say funny things and others that say things funny. While the script, co-written by O’Connell and Peter Kline, is often quite clever, O’Connell falls more in the latter category. With his original, cheerily bombastic delivery, he manages to sell the best and weakest punch lines with equal aplomb. Consequently, when O’Connell is on screen, which is nearly the entirety of the running time, the movie never lags.

It should also be noted… no, that is too weak a word. It should also be shouted from the hilltops that K. Roth Binew is the most original and engaging comic creation to grace the screen since Paul Reubens created Pee Wee Herman. Binew is a bourbon-guzzling drunkard, an egotist, a failed artist, a bit of a con man, an old lady fetishist, and a dandy. However, despite his cartoonishness and moral shortcomings, the character is also relatable in his search for meaning, his remorse over his artistic failures, and his attempts to connect with friends and family. It is rare that an absurdist character can engender pathos, but Binew is an exception. One can only hope that Mike O’Connell finds a way to resurrect this captivating persona for future projects.

Of course, as good as O’Connell and his comic creation are, there are supporting players that also deserve praise. First among these is Jesse Eisenberg, in the less showy role of Binew’s companion, Mills Joaquin. His timid, understated delivery is a perfect compliment to O’Connell’s bombast. In addition, the cinematography by Scott Miller provides a beautiful, golden, autumnal setting for the story; and the score by Carter Little and O’Connell provides the perfect background. Finally, first time director, Sol Tryon, does a fantastic job of balancing numerous disparate elements and helps O’Connell and Eisenberg sell the jokes.

The Living Wake is likely to split audiences into “love it” or “hate it” categories. However, if you have a tolerance for whimsy and a taste for the absurd, I highly recommend sampling this potent, intoxicating concoction.

Drinks Consumed--Stubborn Grouse Bourbon and other whiskeys, Schnapps, wine, and beer

Intoxicating Effects--Melancholy, increased libido, soused sex, and harmonizing

Potent Quotables--K.ROTH BINEW: Mills, a quote from my father, “I drink to bring myself down to the level of the common man. But remember, the common man drinks, so I must drink twice as much. I’m a big advocate of an even playing field.”

Video Availability--DVD and Video-on-Demand (Breaking Glass Pictures)

Similarly Sauced Cinema--Absurdist comedy often works better in small doses, as evidenced by the hilarious short subject, The Reeducation of Mills Joquin, which portrays the beginning of the friendship between K. Roth Binew and Mills (here portrayed by Bryan Brown). This 19-minute short is included on the DVD of The Living Wake.

Official Website of The Living Wake

The Living Wake on Facebook

Breaking Glass Pictures


Netvatise September 30, 2011 at 5:21 PM  

Thank you for introducing me to this movie. I fall firmly into the love it category. I remember drinking 40 Creek whiskey on a patio until sunrise playing this movie and soundtrack at top volume. It's my favourite moment of this summer and my favourite character since Yossarian.

Thanks again,

Soused Bergin

468X60 RENTAL - James Stewart Animated Gif (44kb)

About Me

My photo
I like to drink. I like to watch movies. I like to watch movies about drinking. I like to write about the movies I’ve watched, but only if I’ve had a drink first.

All text including the title "Booze Movies: The 100 Proof Film Guide" Copyright William T. Garver

  © Blogger templates Romantico by 2008

Back to TOP